talk
16/05/2019
Culture Zone Wrocław
How do different artists working with computers negotiate the issue of what is “made sensible”, available to the human senses or not? What is made visible or audible, or what can be said or thought, made or done, with aesthetic production using computers? The issue of transparency concerning software and hardware has long been an important topic, to confront the opacity of technical systems, and without which users are unable to access how machines work, but to what extent do artists attempt to further unsettle the relation between what we perceive and know about the world – between what is visible and invisible, the audible and the inaudible, the thinkable and the unthinkable, fact and fiction?